My sound blends 80’s pop nostalgia, the eerie and immersive vibes of Stranger Things, and the theatrical flair of Dave Malloy from Natasha, Pierre, and the Great Comet of 1812. My goal is to bring and elevate any vision to life, so there is expansion among the current sound.
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Sound Design
A modern adaptation performed by the Triad Theatre Company in September 2024. Nominated for a Boston Broadway World Award for Best Sound Design.
Romeo and Juliet
Directed by Allison Foster and performed by the Triad Theatre Company in conjunction with the Curtain Call Theatre.
Hallie contributed sound design, composition, and fight choreography, working closely with the director to bring a Cape Cod-inspired Verona to life. Through beach soundscapes and fully produced tracks, she aimed to elevate the classic text for a modern audience.
#1
Opening Sequence
Theme
Scene Transition
Mercutio's Death Scene
#2
An original musical performed at the University of the Arts in 2019
Developed by co-creators Sheridan Merrick and Nick Hatcher with two youth ensembles at the University of the Arts in 2019 and 2020.
Hallie collaborated on this piece to explore themes of community and intersectionality. Contributing musical compositions alongside collaborators Sheridan Merrick, Birdy Lynn, David Thomas, and Jared Chichester, she enriched the project’s powerful storytelling.
Nominated for a Boston Broadway World Best Sound Design Award in 2023.
A Wrinkle in Time
Opening Sequence
Wrinkle
#3
Directed by Toni Ruscio and performed by the Triad Theatre Company in 2021.
Hallie was honored to be a part of this project and help bring Madeleine L'Engle’s magical world to life with soundscapes, piano, synthesizers, and an 80’s/Stranger Things inspiration.
Lullaby
IT's Destruction
Tools
Elevate Performances and Transport Listeners to Another World
Logic Pro
WITH
QLAB
